A user on imdb commented that simple movies can be the hardest ones to make in India. Dor doesn't use much filmi bombast, but its colors, music, words, and emotions are genuine and rich. And its lessons about the right to live your own life with consciousness of others, aboutoffering love, and about being honest and brave all come shining through, with no extra glitz or histrionics necessary. Dor is a wonderfully different look at ideas we've heard mentioned in plenty of other...what's the adjective form of "rainbow"?... and melodramatic places (of which I am equally fond, obviously). I won't say that Dor is stripped down because I think that implies something has been taken away from it or that it's missing something, which it very clearly is not. It's not sparse and it's not bland - it's just not filmi. Impeccable performances from everyone, beautiful use of color and landscape, a few moments that let you let go of the tears that have been welling up in your eyes, and voila! This movie is as close to perfect as any I've seen.
Some of my favorite moments:
- the film's willingness to point out and discuss some of the problematic ways women treat each other - and optimistically showing each woman put aside her own issues or what has been done to her in order to help another
- both of Meera's dances to "You Are My Soniya" - I especially like in the second one that she looks around first to make sure no one can see her, which is what I usually do before dancing in my living room too
- ...and the other film references, like Beharoopiya's dialogues (would somebody please post what they all are?), the SRK cutout in the photo shop, and of course "Kajra Re" in the desert
- Meera holding out her dish to get another helping at the sweet shop
- both women admitting to themselves the meaning of their friendship
- Zeenat silently asking Meera to join her on the train - and Meera's honest leap to do so
Update to post (May 30, 2007): I forgot some important things. 1) Go to Sanket's post to read more and hear the title song. 2) Dor proves that it really is not impossible to write interesting, substantial, weighty, and still fun roles for women, and writer/director Nagesh Kukunoor deserves a big hug for making an intelligent movie about intelligent women. When will this be the norm instead of the exception? 3) I think Dor should be considered as a feminist story. For me, feminism mostly boils down to the right for every woman to truly, freely consider and make her own choices, and that's an important part of what the women think and do (and the Behroopiya too, really). 4) In case it doesn't go without saying so specifically, big hugs are also in store for Ayesha Takia and Gul Panag, who are both stellar beyond words. I haven't seen Gul in anything before, but Ayesha...well, I've seen her in two fairly similar roles as Akshaye's bland but pleasant and beleaguered girlfriend, and clearly she deserves better than that. It also raises the question of whether many of the current actresses about whom I feel "enh" - basically everyone except Rani, Tabu, Preity, Aish, and Konkona - could similarly rise to the occasion quite beautifully if only they had something to work with.