Showing posts from August, 2016

Mohenjo Daro

The last problem  Mohenjo Daro  should have is being dull.  So much is brought up in this movie—political intrigue in two generations, corruption, tragic childhoods, religious practice topped off by a Chosen One, the barter system, the indigo harvest, the domestication of animals, the arrival of horses in South Asia, crocodile hunting, international trade gatherings, civic taxes, the back story of an entirely separate city, environmental disaster, a love story (plus another that got sidelined)—yet almost none of it is interesting or adds up to much. I wish Ashutosh Gowariker, as both writer and director, had chosen a few of these and then really developed them with care. Instead there's a weird mishmash of History 101 (No Previous Study of the Indus Valley Civilization Required) and Plot Points That Often Happen in Fillums (Orphan, Love at First Sight, Outsider Saves the Village). At the same time, that latter category is underused stylistically: Hrithik does get in some great