If you want a thoroughly thought-out piece on Feroz Khan's indulgence-oozing-from-every-pore 1986 Janbaaz , I suggest you read Post-Punk Cinema Club's review that discusses it through a complex lens of modern Dionysian debauchery. Me, I hardly made it through the film. It's just so gross: blood, death, flame throwers, clunky innuendos, threatened gang rape, addiction, sense-scarring 80s club-rock numbers that fetishize both white and black people , complete sanctioning of "boys will be boys" to a murderous extent, and women who are killed off after having sex outside of marriage (men too, actually). Even the neglected good-brother police officer (Feroz Khan) seems to get a kick out of arresting his vile little brother (Anil Kapoor), maybe cloaking his vengeful thrill under the guise of "duty." Dimple Kapadia telling Anil he turns her into a woman and Rekha's Ferederick's of Hollywood number (and it should be noted Feroz-bhai is nearly eq